Via cityofsound, a cool interview with Renzo Piano in The Guardian:
Every Sunday his father would take him to Genoa’s harbour and Piano would watch the ships, which he thought of as “immense buildings that move”. When they sailed, he watched them cross the water and imagined that they were flying. These notions converged in his mind to form an idea of buildings as structures that “fought against gravity”, as “miracles”. What he calls his “obsession with lightness” - lightness as both a physical and an emotional property - comes from these experiences. Piano describes Genoa as “the austere version of Venice - Venice is the city of extroversion and Genoa the city of introversion” - and says he carries the memory of it in his “skin”.
As a parent, I wonder what kinds of experiences my children might remember in this way?
The big topic of today, and of the next 20 years, will be peripheries. How you can transform peripheries into a town. What is happening today in Paris is happening everywhere. It is mad, mad, and the insensitivity of people and politicians . . . They create ghettos. In Paris it is particularly bad. Now people are starting to understand that the real challenge of the next 30 years is to turn peripheries into cities. The peripheries are the cities that will be. Or not. Or will never be.
The mistake, he says, has been a conceptual one. France’s politicians have failed to understand that for a community to work, it cannot be a “ghetto”; it must be a place in which people work, and sleep, and socialise and, most importantly, “merge” in some way…. He is not naive enough to believe that his field of endeavour can fix this. But does he believe that architecture can help build that tolerance? “Architecture in some way has the duty to suggest behaviour. In some way. Places are the portrait of communities, and if the place is impossible, the community becomes impossible.”
[To the tune of Sting, “Forget About the Future,” from the album “Sacred Love“.]
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