Alex Soojung-Kim Pang, Ph.D.

I study people, technology, and the worlds they make

Month: February 2008 (page 1 of 4)

The strangest thing I’ve ever seen in my entire life

This is truly astounding: a Japanese reenactment of “We Are the World.”

via wonkette

Tags: music, humor, Japan

Closing doors

This (via Lifehacker) is an interesting game, and an interesting experiment.

Look out Amy Winehouse

This Japanese McDonalds commercial, featuring what looks like a Japanese girls’ do-wop group that watched Memoirs of a Geisha once too many times, seems weird in so many ways….

This kind of thing is pretty much all my brain is good for tonight.

[To the tune of Miles Davis, “Shhh / Peaceful,” from the album “The Complete In a Silent Way Sessions [Disc 2]”.]

Technorati Tags: Japan

Spelling with my hands

I have a strong interest in learning how people's uses of technologies changes the way they think- or less grandly, how it shapes the way they perform cognitive tasks or approach problems. Recently, I found an example of something I do that's definitely an artifact of my long engagement with a very specific technology: I realized I spell with my hands.

The other night, my wife and I were at the dining room table, each of us working on stuff. (Since she's a teacher at a pretty demanding school, she often has papers to grade in the evening.) She asked me how to spell a long word. I thought about it for a second, and couldn't just recite the letters, even though I was sure I knew how it was spelled. So I typed it.

Of course, I can recite the spelling of plenty of words, but after thirty years of typing, complex spelling is something I do with my hands more than my mind's eye. I know a word is misspelled when I feel my fingers hit the wrong keys, or reverse the order of a pattern. For me, correct spelling is a matter of feeling my fingers move over the keyboard in the right, comfortable way, not a matter of thinking "this word is spelled like this," then translating that into a set of motions. The keyboard has become an interface between the words I know how to spell, and the actual act of spelling them correctly.

This helps explain why I find using the predictive text feature on cell phones a somewhat puzzling experience. On a keypad with predictive text turned on, you really do have to think about the spelling of a word, because you're essentially feeding the phone clues about the word you want it to spell. Hit the wrong number on the keypad, and it's led astray, a sure as giving someone the wrong clue in a mystery will lead them to a mistaken conclusion. What makes it more confusing is that as you hit the keys, the phone may guess a completely different word than it had before; and of course, some keypad combinations can spell several different, equally popular words (46 can be "in" or "go," or a bit less likely, "ho").

For someone accustomed to spelling on a QWERTY keyboard, this is a pretty mystifying interaction. Of course, I'm getting better at it; but writing on a traditional keyboard and a keypad aren't merely different activities in terms of the fingers you use, or the prominence of the thumb versus the other digits; it places different cognitive demands on someone who's grown up spelling with his hands.

Technorati Tags: cognition, end of cyberspace, interface, keyboard, N95

On my way to Irvine

I’m on my way to southern California tonight. I’ll be there for a couple meetings at the National Academies.

I’m in San Jose airport, which I think is the most business-oriented airport I travel through. San Francisco has lots of tourists, as well as business people; Oakland I only see late at night when I’m doing the redeye to DC, and everyone looks the same at 11 PM. San Jose, in contrast, seems like it’s 90% lawyers, Intel and Cisco people, and other high-tech types. Of course there are some tourists or families, but the proportion of people checking their Blackberries and talking on their Bluetooth headsets is much higher than SFO or OAK.

My flight is seriously delayed, but that just means I’m working on my talk in the airport rather my hotel room. Business travel is an odd combination of going somewhere, and ignoring your surroundings.

I don’t think I’ll be able to get to Disneyland, except possibly on evening between the first and second meetings. This is a shame, as I’m very fond of Tomorrowland, and consider it an essential destination for any futurist. There’s nowhere else quite like it- and certainly the future shows no sign of being like it.

[To the tune of Bruce Hornsby, “Every Little Kiss,” from the album “The Way It Is”.]

Technorati Tags: IFTF, Irvine, National Academy, work

links for 2008-02-25

  • Course wiki for "Foresight Development (TCH110), a core course in futures studies and personal futuring taught at the University of Advancing Technology (UAT)."
    (tags: future forecasting)
  • "[F]utures studies is unified by interlinked and overlapping networks of communications and influences among futurists, a shared transdisciplinary matrix, and the growth of a futurist canon."
    (tags: future forecasting)
  • "The article looks at futures studies…. It suggests that visions are essential for conducting futures studies and education in futures studies is vital for preparing future oriented new generations."
    (tags: future)
  • As Homer Simpson said, "It's true! It's true! We're so lame! HA HA HA!"
    (tags: blogging humor culture)
  • I've heard of maybe two of these songs. Where's the Ice Cube? The Run-DMC?
    (tags: humor music)

Why is the best dystopian fiction British?

My wife and I have Harry Potter and the Order of the Phoenix on in the background as we work this evening. I’m really impressed by their rendering of the Ministry of Magic, which is an interesting mix of Gothic revival, 1920s Art Deco (particularly all the dark tile), and Brazil. It’s wonderfully dark and dsytopian- equal parts George Edmund Street and Terry Gilliam- and it makes me wonder: why does the best dystopian fiction come out of Britain?

Of course, the Russians did some damn good stuff too, but it seems to me that the British work- including Koestler, Orwell, Burgess, Huxley, et al- is incomparable.

The Oxford English Dictionary’s first reference to the term “dystopia” is:

1868 J. S. MILL in Hansard Commons 12 Mar. 1517/1 It is, perhaps, too complimentary to call them Utopians, they ought rather to be called dys-topians, or caco-topians. What is commonly called Utopian is something too good to be practicable; but what they appear to favour is too bad to be practicable.

ah, the future

From 41 Hilarious Science Fair Experiments:

It’s like a cross between I Can Has Cheezeburger and Decline and Fall of the Roman Empire.

Lady Blue

This evening, while browsing the iTunes store, I rediscovered a song I once loved and probably haven’t heard in about 30 years: Leon Russell’s "Lady Blue."

There are some songs from that period that I’ve pretty much had access to constantly, either because they’ve never gone out of circulation or fashion (you can always find Elton John, the Beatles, Doobie Brothers, Yes, Billy Joel, and David Bowie), or because for some strange reason I always managed to have their albums (Sea Level’s "Cats on the Coast" isn’t exactly a household name, nor is the 3-disc ELP live album, but I don’t think I’ve ever been without either of them since I was 13). But the long tail of my musical adolescence, the songs that I never owned and which didn’t become fixtures on the radio, eventually disappeared.

Forgetting these songs is tough because the most powerful memories of my childhood aren’t of places or people: they’re of music. I can only vaguely recall  several of the houses (or apartments or trailers) I lived in, and only a few more of the people I went to school with. But I can vividly recall a lot of the music from my adolescent years, and I find that I listen to those songs with the same intensity that I did when I was a kid. So rediscovering a song that I haven’t heard is like getting back a little bit of memory.

For me, that’s been the brilliant thing about iTunes: the catalog and pricing scheme (and the search functionality) have let me reconnect with a lot of those songs, in a way that would have been otherwise inconceivable.

And Leon Russell’s work in the 1970s was pretty amazing, by the way.

[To the tune of Leon Russell, "Lady Blue," from the album "Will o’ the Wisp".]

Technorati Tags: itunes, memory, music

Write Room and Skype

Recently I've been using a couple tools a lot, for reasons that are worth noting (worth it to me, anyway). Increasingly, I find my choice of technologies depends on fairly small and specific things, keyed more to the way I'm able to use them than to functional specs.

The first is WriteRoom. I've had it for a while, but I've now made it my default basic text editor. The interesting thing about WriteRoom is that it revives an old interface for a new purpose: it turns it into a tool for focusing an author's attention. This is writing without distraction, the Web site promises.

Walk into WriteRoom, and watch your distractions fade away. Now it's just you and your text. WriteRoom is a place where your mind clears and your work gets done. When your writing is complete, exit WriteRoom and re-enter the busy world with your work in hand.

With so much e-mail and information pouring in, the digital life we lead can sure be a blur. If you've found it getting harder to focus on the words you want to write, if you've forgotten how great it feels to really write distraction-free, then let WriteRoom help you rediscover your muse.

Of course I find the spatial metaphor interesting.

But what I find I really like about it is that it's particularly well-suited for writing late at night. I have these regular bouts where I'm up until 2 or 3 at night writing- periods when I can really get a lot done, or have those conceptual or organizational breakthroughs that every writer finds really satisfying. Most of the time I'm not writing something that requires elaborate formatting or layout, so I can use a simpler writing tool. But when I'm in bed, the lights are out, and I'm trying to work without keeping my wife up, the amber lettering on a black screen seems especially fitting. The amber and black screen are gentler on the eyes. They focus attention on the words at a time when I don't have much energy, but have some of my best ideas.

The other tool I'm using a lot these days is Skype. Of course, I have lots of ways to talk to people- two cell phones (one used mainly for text messaging), but I'm finding Skype really good for work-related calls, for a couple reasons.

First, I just bought a headset, which has made it possible to walk around while talking. Before I had it, I had to lean over the computer and yell into the microphone (wherever it is on my computer), which is not a superior communications experience. With the headset, on the other hand, the sound quality is excellent, and I can get up and move about. Much better.

Further, when I'm working, I'm never at my desk- I don't even have a desk- but I'm always at my computer. (When I'm not working I'm also often at my computer.) Since I actually lost my office phone a long time ago, it's a lot easier to do calls through Skype.

Finally, the combination of talking and texting makes it possible to share notes with the person you're talking to, pass URLs back and forth, etc. Since I generally have to send a follow-up e-mail after any phone conversation, having the ability to write those notes in real-time is really useful. And since Skype can save text threads, you can use it as an archive of previous conversations. That's really useful for things like weekly conference calls, which I'm now doing with some Oxford students I'm advising on a project.

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